Interview with Mieke Bomann
In today’s blog Mieke
Bomann, journalist and MFA instructor in profile writing, talks about the
role of journalism in civic life, the pleasure of discovering the “meat” of
individual lives, and the surprising connection between poetry and narrative
nonfiction. Read on to learn how she became a journalist – and what’s next in
her writing life.
Can you
tell us about your background and your path to becoming a writer?
While I have always written or
edited for a living, I have never called myself a writer; mostly, I identify as
a journalist. I owe a lot of my motivation and writing skills to great teachers
and good editors, an early aversion to authority, and the satisfaction I take
in discovering the meat of a person’s work life or lifelong obsession, and then
sharing that bit with equally curious readers.
When thinking about a profession
after college, I was drawn to both the freedom and privileges that journalism
offers. I could make a living by asking interesting people questions about almost
anything and, if I did it right, go back to my desk with the ingredients for a
story worth reading.
I worked for a couple of
newspapers as a city hall and business reporter, and then spent about twenty
years going back and forth between freelance writing and editing, and fulltime work
for college publications.
What do
you see as the role of journalism in today’s society?
There’s a book in that question,
but one short answer is that responsible journalism is one of the best tools citizens
in a free country have to check the tendency of people in power to seek additional
power. The Washington Post puts it
even more succinctly on its front page these days: “Democracy dies in darkness.”
What do
you enjoy most about teaching?
I am most energized by truly
motivated students who use the advantage of their affiliation with Bay Path to
dig into unknown territory, and write about people who they might otherwise not
have a chance to get to know. I am amazed and humbled by the challenging
subjects many students choose to write about. I also love watching students
make use of the expertise of their academic cohort to expand their worldview and
deepen their stories.
Do you
have any advice for new writers?
Consider taking a class in poetry
writing. No matter the length of your stories, your prose will likely benefit from
the intense understanding of the music in language that poets bring to their
craft.
The journalist in me recommends that
you write up your notes from an interview as soon as possible because your
memory, handwriting, and recording technology are never as reliable as you
think.
Finally, taking the time to
review the appropriate stylebook and pesky rules of grammar and punctuation
will make the journey through your prose much less bumpy for your
editor/instructor, who may then reward you with untold riches.
What are
you currently at work on?
I am helping to research and write
a script for a visitor’s tour of an historic house, owned in the mid-nineteenth
century by William
Cullen Bryant, a poet and long-time editor of what is now the New York Post. I am also doing some research on humor writing
and satire, and thinking about revitalizing my long-neglected gardening blog,
which was never particularly funny but really ought to have been.
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